Although women have always been part of the mapping landscape, their contributions to cartography have long been overlooked.
Mapmaking has traditionally featured men, from Mercator’s projection of the world in the 1500s to land surveyors such as George Washington and Thomas Jefferson mapping property in the 1700s, to Roger Tomlinson’s development of geographic information systems in the 1960s. Cartography and related geospatial technologies fields continue to be male-dominated.
But as a geographer and specialist in geographic information systems, I have observed how opportunities for women as mapmakers have changed over the past five decades. The advent of technologies such as geographic information systems has increased education, employment and research opportunities for women, making mapmaking more accessible.
The female landscape
Women have long been essential to how people see and understand the world. The concept of Mother Earth or Mother Nature as the center of the universe and source of all life spans Indigenous cultures around the globe.
In the 20th century, the scientific community and environmental activists adopted the term Gaia – the Greek goddess personifying the Earth, the mother of all deities – to reflect the notion of the Earth as a living system. Gaia is represented as female and understood as a guiding force in maintaining the atmosphere, oceans and climate.
The representation of land as woman was reshaped with the rise of nationalism when the terms “fatherland” and “motherland”took on distinct meanings. Fatherland implied heritage and tradition, while motherland suggests place of birth and sense of belonging. These gendered constructs appear across cultures.
Europa Regina (1570).
Sebastian Münster/Wikimedia Commons
Another aspect of the gendered nature of cartography is the way maps used female forms to portray features. Anthropomorphic maps from the 16th through 19th centuries demonstrate how cartographers used female figures to depict European countries. For example, cartographer Johannes Putsch’s “Europa Regina,” originally drawn in 1537, set the template for later maps in which nations are depicted as women in various poses and different states of dress – or undress – though they don’t actually correspond closely to the actual shapes of real landforms.
These maps reflect shifting cultural and political meanings attached to territory and power. The female landscape, or woman as map, is often used to portray countries as active, aggressive or supine, depending upon the status of the nation state in relation to war and peace and the stereotypes of a country.
Technology and women’s roles in mapmaking
While the technical contributions women have made to mapping span the entire history of cartography, they are difficult to identify and document. But a closer look reveals the variety of roles women have played in mapmaking.
One of the…
